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Posted By admin On 13.10.19'All Too Human' is a concept album about free will inspired by the story of Charles Whitman.Press for the album:'All Too Human' sees Valena push himself even further than usual. He's clearly invested a great deal of time and thought into perfecting his gloomy, generously melodic take on black metal—a sound whose harmonies retain traces of the project's folk-inspired roots, whose vocals are sparse and ragged, and whose percussion percolates quietly but purposefully under the rush of riffs and blankets of distortion.' - Kim Kelly, Noisey'Returning with his second full-length, Oskoreien meditates on both Charles Whitman’s story and the philosophical and ethical impact it holds on mankind. As radiant and pristine as this music is, there is a sudden, undeniable sadness which envelops it as a whole.' - Invisible Oranges'All Too Human' gives us unrelenting waves and layers of guitars, punctuated by and built around simple but achingly beautiful melodies.
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It’s an album that never lets go, and never lets you rest.' - No Clean Singing'The songs are packed with anguish and punishment, though not of the typical black metal stereotypes.
There’s a true human depth to this music which is very tangible, and you walk away from this impacted, perhaps placing more thought on the evils in the world and what’s truly behind everything.' - Meat Mead Metal credits. Jun 2010contact / helpTrack Name: MoaiWe stand as Moai in a field of illusionas time erodes us and artifice crumbles,as action ceases and our will dissolves,as chaos engulfs us and truth is revealed.No agency to escape that which is in motion.An incessant march through time while rooted in perspective,moments washing over us as waves upon a boulder.Erosion and dissolution bring new forms to light,each withering closer to the truth.
Released January 1, 2007'Cleveland's best unknown songwriter strikes again.(8 OUT OF 10). Every couple of years, Cleveland songwriter Mike Uva tosses off an album of sublime jangle pop, tangled with wry, self-observant lyrics, melancholy chord progressions and encased in warmly lo-fi production values. As catchy as Bob Pollard, as slyly subversive as Lou Barlow, as effortlessly melodic as Nick Salomon.
There are hooks everywhere you look here.” -PopMatters“Mike mutters, croons, and casts his tunes with characters knowingly submitting to their nerves ('Like Water You Press') or their id ('Flip Me Over'). Unlike so much of what I hear in the indie-rock game - cursory listening, mind you - Mike not only handles his words well, but understands the mechanics of classic tunesmanship.” -Ed Sotelo“The strength in this release lies in the honesty and simplicity of its arrangements.
If you're like me, and you get turned off by indie bands that throw more instruments into the mix in a vain attempt to make their music more 'unique,' then you'll certainly appreciate the way Mike Uva and Hook Boy easily shift from one sound to another within their limited pallette, not by using different instruments, but by playing the same set of instruments differently.” -I Rock Cleveland(5+ OUT OF 6) “Surprisingly melodic and accessible, Static Songs may be an underground release, but the songs are so smooth and familiar that just about anyone could enjoy them. At times, Mike Uva's tunes remind us of The Feelies, Richard Thompson, and Ray Davies.
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Matt Walst
And that's just the beginning. Instead of burying his songs in technology and too many overdubs, he presents them simply using only the bare essentials. The more we spin this one, the better the songs sound. Love them gee-tars. Subtle smart pop tracks. Very satisfying.” -Babysue“Graced by tambourines, electric piano and stunning lyrical narratives, Uva's work seems to have found a balance between stripped-back instrumental grace, purposeful intention, and an intrepid flair for the quirky. Grant-Lee Phillips once said that everyone needs a little sanctuary.
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Static Songs is exquisite. And just the ticket.” -Cool Clevelandlicense.